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It seems that time has come for The brand’s slogan “Citroën, inspired by you” has also been removed. Spots are added to Citroën’s francophone Twitter that features a monochrome animated version of the chevrons. Citroën hasn’t published an official press release on the redesign yet. And it is certainly worth to be reported as it concerns not only the trademark, but also the wordmark. . The trademark introduced in 2016 and the wordmark that has been used since 2009 are giving way to a flat “double corner” sign as well as an all-caps lettering in the corporate typeface Citroen. The…

Launched in 2008, Dribbble is a social network where digital designers can publish their portfolios and search for jobs, and therefore employers can recruit creative people into their teams. As the platform has long ceased to be just a website to share design works and turned into a creative community to establish connections and continue learning, it need a visual identity to reflect its actual status. Among the design works uploaded to the platform, you can find logos, illustrations, web design samples, and other pieces of digital art. Like on Adobe’s Behance, users here can rate, comment, and share them….

Ahead of its third season, the National Indoor Soccer League has unveiled its new logo, which makes the image of the competition more individual and celebrates its efforts to develop professional indoor soccer nationwide. Indeed, the new logo of NISL is the next step in its branding, compared to the league’s old emblem, which resembled the logos of the The presented logo demonstrates a totally different design and looks like a crest, which is more in accordance with the design traditions of soccer and other team sports. The shield is distinguished by a stylized, cornered shape and thick lines, featuring…

Erected in 1989 to mark the bicentennial of the French Revolution, La Grande Arche de la Défense takes its rightful place among the attractions of Paris. The cube-shaped construction excites with its size of more than 350 ft in height, width, and depth. As conceived by Danish architect Johan Otto von Spreckelsen who won a special competition, it should symbolize a window to the world. In fact, the building houses government offices in its two sides and an observation deck on the top. The Arche is currently undergoing a large-scale renovation, with plans to accommodate here private businesses and companies….

Established in 1835, Havas can be considered the oldest news agency in the world. Evolved into a multinational enterprise, the French company now specializes more in public relations and advertising technology. Havas operates in more than 100 countries, with a staff of 22,000. The brand has recently refreshed its logo to show what Havas is today. Fulfilled in cooperation with the international agency Conran Design Group, the redesign is the first update of Havas’ visual identity in 20 years. According to the company, the new look is intended to tell that Havas is “a creative and integrated power pack that…

The current logo of Batavia, Illinois, was introduced in 1983. It represents the lettering “Batavia” in a simple all-caps typeface with a windmill wheel looking like a dot over the “i” and the slogan “City of Energy”. While the windmill wheel is connected with the windmill manufacturing launched in the city in the late 19th century (it even gave Batavia the nickname “The Windmill City”), the slogan refers to Fermilab, a particle physics laboratory located outside the city. The fact that the city hasn’t changed its identity for 36 years made the authorities think of a rebranding. So, after some…

The City of Hays, Kansas, has acquired a new logo. The emblem was presented on November 8th by the city’s mayor Toby Dougherty and the officials of the City Convention and Visitors Bureau. The new logo features a stylized yellow letter “h” accompanied by the wordmark “City of Hays”. It was created by Scott Gross, a local design specialist. In his work, Gross took into account the opinions of the city authorities and community members who gave him a hint that the logo should share a common trait with a sign of the Interstate 70 highway that goes through Hays,…

Why touch the logo of an iconic brand like Netflix? Is it necessary? Actually, no. The goal of the Netflix project was to create a proper language. According to Koto, the streaming service wanted this language to be implemented into its experience with production and beyond. Starting from this point, the studio upgraded the previous design system with brand-new iconography, typography, and imagery. Koto departed from the unidimensional and oversaturated approach to the graphic language which is so typical for the technology and streaming world. This resulted in “a style appealing to movie lovers and essentially feels like Netflix”. And…